Black Hawk Down
Ridley Scott isn’t interested in softening corners. In works like “Alien,” “Blade Runner” and “Gladiator,” he took well-trod genres and let the fangs out, producing works that shock with their frank depictions of unhappy violence. In “Black Hawk Down,” Scott applied the same trick to the war movie, imbuing his examination of the 1993 battle of Mogadishu with jarring, upsetting imagery and human catastrophe.