Kill, Baby, Kill (1966)
Mario Bava was one of the architects of the giallo horror film, an Italian subgenre noted by oversaturated colors, hyperkinetic camera moves and simultaneously beautiful and horrific death sequences. And even though “Kill, Baby, Kill” was made under dire circumstances like an incomplete script and lack of proper funding, it’s still a masterpiece, combining the aforementioned giallo aesthetics with somber, gothic undertones.